That said, there are lots of moments here where director Gore Verbinski has clearly immaculately planned some excellent work. You'll be hard pushed to see too many action moments this year to better the rousing excitement of the big chase at the end, and thanks in part to a Hans Zimmer-reworking of The William Tell Overture, it's a sequence that stands out. Inevitably though, you'll end up wishing the film has focused more on moments like that, and cutting out some of the padding which really drags The Lone Ranger down.
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